Simply put, Beaumont probably isn't much different than Cooper was at the same age. And while villains like Blue Velvet's Frank Booth aren't overtly otherworldly, his brush with them could lead him to keep an open mind about strange occurrences. Beaumont's dark adventures could readily lead to a career in law enforcement. Given the four-year gap between the two projects, it's not unreasonable for a casual viewer to assume they are the same character. Both characters tap into the same innate decency that MacLachlan's version of Paul does. Similarly, his FBI Agent Dale Cooper arrives in Twin Peaks eager to solve Laura Palmer's murder: armed with unshakable virtue and a keen intellect to measure against the dark, otherworldly entity that seems fixated on the town. With Twin Peaks, it's the body of homecoming queen Laura Palmer, found wrapped in plastic in the show's pilot. In Blue Velvet, it's a human ear discovered by college student Jeffrey Beaumont. Both projects also begin with a gruesome discovery that rips away the façade of normality. While Blue Velvet doesn't stray into the supernatural, it retains a dreamlike tone: reflecting an off-kilter world that slides straight into nightmare. Both projects are set in a logging town in Washington State, for instance, and both emphasize an idealized version of 1950s America hiding shocking corruption and evil underneath. In addition, it includes several ideas that he would later make use of in Twin Peaks. Blue Velvet essentially codifies " Lynchian" as a term and makes an excellent starting point for fans new to his work. It also catalyzes a huge number of his recurring themes into a singular vision. It represents a big return to form, echoing the surreal intensity of Eraserhead and The Elephant Man reimagined in a disturbingly normal universe. Blue Velvet arrived after the failure of Dune, Lynch's big-budget adaptation of the Frank Herbert novel.
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